“Featuring New York opera scene fixtures like Tim Hill…”
OPERA ON TAP HAITI BENEFIT CONCERT
Time Out New York, February 3, 2010
“Baritone Timothy Hill was a consummate actor, crucial to the ensembles both vocally and as the dramatic foil to all the trickery.”
ALMAVIVA IN CONNECTICUT LYRIC OPERA’S LE NOZZE DI FIGARO
The New London Day, New London, CT, November 2006
“Baritone Timothy Hill sang both with clarity and conviction.”…”[Tom Cipullo's] relentless “Subway” was performed with gusto, its Messiaen-like ending rippling out through time and space.”
MASTERS OF MODERN AMERICAN ART SONG RECITAL AT THALIA HALL, SYMPHONY SPACE, NYC
MASTERS OF MODERN AMERICAN ART SONG RECITAL AT THALIA HALL, SYMPHONY SPACE, NYC
New Music Connoisseur, Fall/Winter 2005
“There were really no weak links in this cast…And Timothy Hill, wow, Timothy Hill was the star of the day.”
AS SCARPIA IN TOSCA PRESENTED BY PRISM OPERA SHOWCASE
www.OperaNotes.com, November 23, 2004
“Baritone Timothy Hill as tough guy Enrico, Lord of Lammermoor, was …most polished, with a fine, burly baritone and a developed actor’s sense of timing.”
ENRICO IN LUCIA DI LAMMERMOOR
The Star-Ledger, Newark, NJ, February 2001
“As Adam, Timothy Hill bears menace and darkness in a characterization as dramatically viable as it is musical.”
ADAM IN NATIONAL OPERA COMPANY’S KITTY HAWK (WORLD PREMIERE)
The News & Observer, Raleigh, NC, April 2000
“Baritone Timothy Hill is a standout vocally and dramatically.”
ADAM IN NATIONAL OPERA COMPANY’S KITTY HAWK (WORLD PREMIERE)
The Herald-Sun, Durham, NC, April 2000
“Timothy Hill was admirable in the pivotal role of Marcello.”
MARCELLO IN LA BOHEME
The Lake George Mirror, Lake George, NY, July 1999